बुधवार, 1 मई 2013

TWO TIME LIMCA- BOOK OF RECORD HOLDER PARASMANI ALL SET TO CREATE A NEW RECORD OF NON- STOP SINGING

 
The young multi-instrumentalist and holder of two Limca Book of World Records, Paras Mani Choudhary is set to create another national record by breaking the current record of non-stop vocal recital of 135 hours.   
Paras Mani started his record breaking singing spree on 25 April at 8:15 A.M. in Purboshree Mahila Samiti Hall, Chittranjan Park,New Delhi. Mr. B.K. Saxena , President of G – Block, neighbouring Chittranjan park and Mr. Pradeep Rana President of RWA , Sec. 55 Faridabad inaugurated  the program by enlightening the Sai jyoti. 
Parasmani started his record breaking journey with Sarasvati Vandana. The non-stop vocal recital is being organized as per Limca Book of Record's directives. Many Sai Devotees and music lovers witnessed this historical moment of ceaseless non-stop vocal recital. According to Limca Book of Records, the most recent record of ceaseless singing is 135 hour but Paras Mani would create a new record by singing for 144 hour ceaselessly.
Parasmani stated that, “People do hard work for money but in my case it’s all about making record. I am working hard for months, then playing an instrument or singing for a few days continuously, there is no monetary benefit behind it, even after making record; I end up spending lots of money. This time I am spending   1, 25,000 for venue, food and other facilities for people who will accompany me.” 
Paras has previously set records certified by the Limca Book of Records for  his non-stop SITAR recital for  over 92.35 hours  in 2009 and also for non-stop VIOLIN recital for 50 hours in 2011.  
Pandit Ravishankar is the idol of Paras Mani when he was just 14 he started taking singing classes from Padmavibhushan Pandit Debu Chaudhary. Hailing from Bhagalpura, Banka district in Bihar, Paras Mani Choudhary is a gifted musician who effortlessly plays Violin, Sitar, Guitar, Flute, Harmonium, Keyboard, Santoor, Mouth Organ, Saxophone etc. with ease and perfection.
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ikjl ef.k pkS?kjh o’kZ 2011 esa 16 tuojh dks yxkrkj 50 ?kaVs okW;fyu ctkdj 32 ?akVs dk iqjkuk fo’o fjdkWMZ ?oLr fd;k Fkk rFkk o"kZ 2009 esa ikjl us yxkrkj 92-35 ?kaVs flrkj ctkdj iwoZ ds 90 ?kaVs dk fo’kky fo’o fjdkMZ dks /oLr djrs gq, viuk uke fyEdk cqd vkWQ fjdkMZ~l esa ntZ djk pqds gSaA  
ikjl ef.k pkS/kjh dk dguk fd yksx iSls ds fy, esgUkr djrs gS ijarq eS dsoy fjdkMZ cukus ds fy, esgUkr djrk gwWa vkSj eSa bls ,d tquwu dh rjg ysrk gwWaA eSa yxkrkj dbZ eghuksa ls xk;u] ok;fyu vkSj flrkj oknu dk fj;kt+ dj jgk gqWa] ijarq blds ihNs dksbZ vkfFZkd Qk;nk ugha gS cfYd eSa viuh vkenuh dks iwjs rjhds ls [kpZ djrk gWawA bl ckj Hkh bl lekjksg dk [kpkZ yxHkx 1]25]000 : vk;k gS] ftles lekjksg esa vk, n’kZdksa ds fy, osU;w] [kku&iku dh O;oLFkk dh xbZ gSA ikjl ef.k pkS/kjh us vius fjdkMZ xk;u ds fy, lkbZa ckck vkSj j?kqifr jk?ko jktk jke tSls lqanj Hktuksa dk p;u fd;k gSA

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