बुधवार, 10 दिसंबर 2014
Everyone’s favourite Daya turns a year older!
“Daya,
darwaza tod do!” The most iconic dialogue to be ever said on the small
screen has been etched in people’s memories forever! The man to make
this
dialogue legendary is none other than the strong and courageous CID
officer, Daya aka Dayanand Shetty who has been breaking doors and
winning hearts for over a decade. The talented actor will be celebrating
his birthday this week as he turns a year older on
December 11. Enjoying a humongous fan following which ranges from 6 to
60 years of age, Daya has been everyone’s favourite small screen hero.
Talking about his birthday Daya said,
“I usually don’t celebrate my birthday in a big way. Every year I
work on my birthday so this year will be no different. I will be on the
sets of CID shooting. Over the years, the CID team has become my family
so I like to spend time with them. The unit
gets a cake and we have a small celebration on set. So I guess this
year too I will be celebrating it with the cast and crew.”
We wish Daya a very happy birthday! Hope he continues to entertain the audience for many more yearsQyuki and Fullscreen join forces as one of the Largest Multichannel Networks in India Exclusive Strategic Alliance Enhances Opportunities for Indian Content Creators
Qyuki, a multichannel network founded by Shekhar Kapur, Samir Bangara
and A. R. Rahman and global youth media company Fullscreen, today
announced an exclusive alliance that becomes one of India’s largest
multichannel networks.
Indian
creators in the Qyuki-Fullscreen network will receive greater
opportunities to develop, monetize and distribute their content and
leverage technology, production and optimization services from both
networks. This partnership, built to enhance talent and content
development in India, expands Fullscreen’s footprint within the
fastest-growing video consumption market in the world.
“The
internet is about collaboration and as we build out our vision to
create the largest online media company for Indian youth, we believe we
have found a great partner in Fullscreen which will enable us to not
only grow the Indian market rapidly but also present Indian talent at a
global scale” said Samir Bangara, Co-founder and Managing Director of Qyuki.
Indian
creators will have immediate access to Fullscreen’s tools and services
that intersect every aspect of their careers. Fullscreen’s proprietary
technology, the Creator Platform, offers world-class production,
audience development and measurement tools. Additionally creators will
benefit from Fullscreen’s global partnerships and brand services, which
enable original content development, distribution and monetization.
“Qyuki
has built a strong network and content studio featuring some of India’s
most creative and acclaimed talent in music and storytelling,” said Ezra Cooperstein, Fullscreen President. “This
partnership will strengthen our global creator network and further
empower the next generation of Indian creators with Fullscreen’s global
best practices in content creation and monetization.”
Marquee
creators in the Qyuki network include AR Rahman, Ranjit Barot,
Salim-Sulaiman, and successful YouTubers Shraddha Sharma, Gaurav
Dagaonkar and Siddharth Slathia, amongst several others. Miss Malini,
India’s largest Bollywood and fashion blogger, recently joined the
network and adds significant scale to Qyuki’s bollywood and fashion
genre. Qyuki also co-owns formats like the Boss Dialogues (as seen on
TV) and Eff ’n Bedi along with Pooja Bedi.
In
addition to its exclusive alliance with Universal Music India, Qyuki
offers infrastructure across multiple studios in Chennai, Mumbai and
Bangalore, with a special studio in the heart of Dharavi made to nurture
talent in Asia’s largest underprivileged community.
About Qyuki
Qyuki is
a digital broadcast network/ MCN co-founded by Shekhar Kapur, Samir
Bangara and AR Rahman. Qyuki works with creators to build their fan
following by producing and distributing videos across Youtube and other
networks with the aim to create enduring intellectual properties. Qyuki
also connects brands with their audiences through unique content
marketing initiatives in collaboration with Qyuki artists
Qyuki’s
artist network consists of established artists like AR Rahman, Ranjit
Barot, Salim-Sulaiman, Shweta Subram and Youtubers like Shraddha Sharma,
Gaurav Dagaonkar, Siddharth Slathia and lifestyle and entertainment
channels like Miss Malini, The Boss Dialogues and Eff n Bedi. For more
information please visit Qyuki.com
About Fullscreen
Fullscreen
is a global youth media company that develops online creators and
programs multi-platform entertainment experiences. 450 million
subscribers generate more than 4 billion video views across Fullscreen’s
global network each month. Headquartered in Los Angeles, the company
was founded in January 2011 by CEO George Strompolos, a co-creator of
the original YouTube Partner Program. Fullscreen’s network includes more
than 55,000 creators, featuring the Fine Bros., O2L (Our 2nd Life), Andrea Russett, Lohanthony, Devin Supertramp and Jack and Jack. Visit Fullscreen.com for more information.TELEVISIONS BUMBLING YET BRILLIANT DETECTIVE IS BACK- ‘MONK’ HITS TV SCREENS STARTING TOMMOROW !
Star World brings to television- Monk- an undeniably brilliant crime series, starting tomorrow, 11th
December, 9pm. Each episode is packed with unconventional, original and
hilarious storylines, featuring TV’s most orginal sleuth ever- Adrian
Monk (Tony Shalhoub) as the charming yet cantankerous detective with OCD
(Obsessive Compulsive Disorder).
Monk
is a detective afraid of the dark, a gumshoe afraid of gum. He has no
problem cracking a case - as long as it doesn't involve heights or
germs, and is in close proximity to his apartment. Other than solving
his wife's murder, Monk would like nothing more than to gain back his
position on the San Francisco police force, but he tries to pull himself
together and get back to solving crimes full time?
The
dramedy detective mystery television series follows former police
detective Adrian Monk (Tony Shalhoub), whose photographic memory and
amazing ability to piece together tiny clues made him a local legend,
has suffered from intensified obsessive-compulsive disorder and a
variety of phobias since the unsolved murder of his wife, Trudy, in
1997. Now on psychiatric leave from the San Francisco Police Department
and working as a freelance detective/consultant on difficult cases, Monk
hopes to convince his former boss, Captain Leland Stottlemeyer (Ted
Levine), to allow him to return to the force.
The
once a rising star with the San Francisco Police Department, legendary
for using unconventional means to solve the department's most baffling
cases. But after the tragic (and still unsolved) murder of his wife
Trudy, Monk developed an extreme case of obsessive-compulsive disorder.
Consumed by peculiar obsessions and wracked with hundreds of phobias
(including but certainly not limited to germs, heights, and even milk),
Monk lost his badge and struggles with even the simplest everyday tasks.
Catch Monk, Starting 11th December, Every Monday to Friday, 9PM only on Star World.First look trailer of Robert Zemeckis' THE WALK
THE WALK
Release: October 2015
Director: Robert Zemeckis
Cast: Joseph Gordon-Levitt, Ben Kingsley, Charlotte Le Bon
Below is a write-up you can use:
THE WALK: Robert Zemeckis’ High Wire Act
Montreal Set Visit
By Steven Goldman
(Teaser) http://youtu.be/s5XxuKDLVAg
On a vast Montreal sound stage, director Robert Zemeckis is hard at work recreating a lost place and time. Here his leading man, Joseph Gordon-Levitt, stands on the ledge of a gigantic rooftop set built of steel and concrete, gazing out to a similar precipice over a football field away amidst a sea of green-screen. Yet his character, notably, doesn’t have the special powers found in your typical multiplex superhero. Instead, he’s equipped with a dream and the belief that anything is possible - as he sets off to walk a high-wire stretched between two of the tallest buildings on the face of the earth.
Zemeckis’ chosen moment in history is the morning of August 7, 1974, when a lone French aerialist, Philippe Petit, captured the world’s imagination with a seemingly impossible high-wire walk between the Twin Towers of New York’s World Trade Center. Some forty-years later, utilizing the latest in state of the art visual effects, 3D and IMAX technology (and massive set construction), Zemeckis and Gordon-Levitt, with the aid of a small army of technicians and craftsmen, are recreating that moment as The Walk enters its final week of production. They too are accomplishing the seemingly impossible: bringing the lost towers back to glorious life.
Only in film is such a feat possible now.
On set, Gordon-Levitt (Inception) talks of his part in the enterprise and how he can relate to the undertaking. “There’s a lot that’s similar about it,” he says, comparing wire-walking to acting. “When you’re acting in a movie there’s all this chaos going on around you… You have to just compartmentalize and not think about it. It’s the same on the wire. I’ve learned a little bit about how to walk on a wire and it’s the same. If you start thinking, ‘I’m up high,’ or ‘I could lose my balance,’ you’re done for.”
Seen by Zemeckis as both a mad cap caper film and a love letter to the Towers, The Walk has had a long journey to the screen. First conceived in 2007, it will reach the multiplex and IMAX alike in October, 2015. “One of the biggest struggles I had getting this film made was that it’s very difficult to make any feature film [today] that’s not derivative,” explains the Oscar-winning director. “Anything that tries to be unique and original is the hardest type of film to make. And then to say it’s about a wire-walker and I want to make it in 3D. That’s almost an impossible feat.”
Zemeckis credits Tom Rothman, head of the newly revitalized TriStar, for making The Walk possible. “Tom and I made Cast Away when he was the head of 20th Century Fox, so we know each other from way back,” says Zemeckis. “That was a very risky movie that we made together. He was a big fan of this story and had the courage to greenlight this movie.”
“Bob Zemeckis is a true master filmmaker,” says Rothman, who helped Fox become the most profitable film studio in Hollywood under his 18-year-tenure. “He has a rare ability to blend the epic with the intimate,” he explains. “It’s one thing to put audiences in a wire-walker’s shoes with jaw dropping visuals. It’s another to make them care emotionally. Bob is one of the few directors who can do both and who can use 3D in a way that makes a film a must see on the big screen.”
An expert at using new technology in the service of story and character, Robert Zemeckis first captured the spotlight in 1985 with Back to the Future. His films include: Romancing the Stone, Forrest Gump (for which he won the directing Oscar in 1995), Cast Away, Who Framed Roger Rabbit, Contact, A Christmas Carol, and most recently, the critically acclaimed Flight, starring Denzel Washington.
“To quote Francois Truffaut, ‘A really great movie is the perfect blend of truth and spectacle,’ and I think that’s what we go to the movies for,” says Zemeckis of his approach. “We go to see a story that is rooted in human truth and the human journey. But we also go to see a spectacle.”
The Walk (whose supporting cast includes Sir Ben Kingsley and The Hundred-Foot Journey’s Charlotte Le Bon) promises to put audiences in the thick of the action, as close as any of us will ever come to walking amongst the clouds ourselves. Zemeckis explains with a laugh: “If you’ve got a fear of heights, you might not be comfortable watching a lot of this, but that was another thing I loved about it.”
But the film is also an exploration of what led up to the famous walk, including Petit’s earliest childhood obsessions, his romantic entanglements, and the volatile relationship with his surrogate father figure, Kingsley’s Papa Rudi.
“Walking on a wire between the two towers of the World Trade Center is beautiful and physically daring, but there’s also a metaphor there,’ says Gordon-Levitt of The Walk. “It’s about believing in yourself enough to say ‘I [can] accomplish anything… I [can] be the person I want to be.’”
As for the Towers themselves and the tragedy of 9-11, both Gordon-Levitt and Zemeckis see The Walk as a tribute, which, given the opening of The Freedom Tower, comes at a particularly appropriate moment.
“I think it’s important to remember that tragedy doesn’t erase what was beautiful,” says Gordon-Levitt. “I think it’s also important to remember this beautiful moment… that does greater honor, to not let those towers just become a symbol of disaster, but to also remember them in this moment of beauty.” “The movie is a love letter to the Twin Towers,” says Zemeckis. “They’re very much present in the film as characters. So it’s also a celebration. In the tragic history of those buildings, this is one glorious and human moment that happened. I think that’s something that’s important to remember too.”
Release: October 2015
Director: Robert Zemeckis
Cast: Joseph Gordon-Levitt, Ben Kingsley, Charlotte Le Bon
Below is a write-up you can use:
THE WALK: Robert Zemeckis’ High Wire Act
Montreal Set Visit
By Steven Goldman
(Teaser) http://youtu.be/s5XxuKDLVAg
On a vast Montreal sound stage, director Robert Zemeckis is hard at work recreating a lost place and time. Here his leading man, Joseph Gordon-Levitt, stands on the ledge of a gigantic rooftop set built of steel and concrete, gazing out to a similar precipice over a football field away amidst a sea of green-screen. Yet his character, notably, doesn’t have the special powers found in your typical multiplex superhero. Instead, he’s equipped with a dream and the belief that anything is possible - as he sets off to walk a high-wire stretched between two of the tallest buildings on the face of the earth.
Zemeckis’ chosen moment in history is the morning of August 7, 1974, when a lone French aerialist, Philippe Petit, captured the world’s imagination with a seemingly impossible high-wire walk between the Twin Towers of New York’s World Trade Center. Some forty-years later, utilizing the latest in state of the art visual effects, 3D and IMAX technology (and massive set construction), Zemeckis and Gordon-Levitt, with the aid of a small army of technicians and craftsmen, are recreating that moment as The Walk enters its final week of production. They too are accomplishing the seemingly impossible: bringing the lost towers back to glorious life.
Only in film is such a feat possible now.
On set, Gordon-Levitt (Inception) talks of his part in the enterprise and how he can relate to the undertaking. “There’s a lot that’s similar about it,” he says, comparing wire-walking to acting. “When you’re acting in a movie there’s all this chaos going on around you… You have to just compartmentalize and not think about it. It’s the same on the wire. I’ve learned a little bit about how to walk on a wire and it’s the same. If you start thinking, ‘I’m up high,’ or ‘I could lose my balance,’ you’re done for.”
Seen by Zemeckis as both a mad cap caper film and a love letter to the Towers, The Walk has had a long journey to the screen. First conceived in 2007, it will reach the multiplex and IMAX alike in October, 2015. “One of the biggest struggles I had getting this film made was that it’s very difficult to make any feature film [today] that’s not derivative,” explains the Oscar-winning director. “Anything that tries to be unique and original is the hardest type of film to make. And then to say it’s about a wire-walker and I want to make it in 3D. That’s almost an impossible feat.”
Zemeckis credits Tom Rothman, head of the newly revitalized TriStar, for making The Walk possible. “Tom and I made Cast Away when he was the head of 20th Century Fox, so we know each other from way back,” says Zemeckis. “That was a very risky movie that we made together. He was a big fan of this story and had the courage to greenlight this movie.”
“Bob Zemeckis is a true master filmmaker,” says Rothman, who helped Fox become the most profitable film studio in Hollywood under his 18-year-tenure. “He has a rare ability to blend the epic with the intimate,” he explains. “It’s one thing to put audiences in a wire-walker’s shoes with jaw dropping visuals. It’s another to make them care emotionally. Bob is one of the few directors who can do both and who can use 3D in a way that makes a film a must see on the big screen.”
An expert at using new technology in the service of story and character, Robert Zemeckis first captured the spotlight in 1985 with Back to the Future. His films include: Romancing the Stone, Forrest Gump (for which he won the directing Oscar in 1995), Cast Away, Who Framed Roger Rabbit, Contact, A Christmas Carol, and most recently, the critically acclaimed Flight, starring Denzel Washington.
“To quote Francois Truffaut, ‘A really great movie is the perfect blend of truth and spectacle,’ and I think that’s what we go to the movies for,” says Zemeckis of his approach. “We go to see a story that is rooted in human truth and the human journey. But we also go to see a spectacle.”
The Walk (whose supporting cast includes Sir Ben Kingsley and The Hundred-Foot Journey’s Charlotte Le Bon) promises to put audiences in the thick of the action, as close as any of us will ever come to walking amongst the clouds ourselves. Zemeckis explains with a laugh: “If you’ve got a fear of heights, you might not be comfortable watching a lot of this, but that was another thing I loved about it.”
But the film is also an exploration of what led up to the famous walk, including Petit’s earliest childhood obsessions, his romantic entanglements, and the volatile relationship with his surrogate father figure, Kingsley’s Papa Rudi.
“Walking on a wire between the two towers of the World Trade Center is beautiful and physically daring, but there’s also a metaphor there,’ says Gordon-Levitt of The Walk. “It’s about believing in yourself enough to say ‘I [can] accomplish anything… I [can] be the person I want to be.’”
As for the Towers themselves and the tragedy of 9-11, both Gordon-Levitt and Zemeckis see The Walk as a tribute, which, given the opening of The Freedom Tower, comes at a particularly appropriate moment.
“I think it’s important to remember that tragedy doesn’t erase what was beautiful,” says Gordon-Levitt. “I think it’s also important to remember this beautiful moment… that does greater honor, to not let those towers just become a symbol of disaster, but to also remember them in this moment of beauty.” “The movie is a love letter to the Twin Towers,” says Zemeckis. “They’re very much present in the film as characters. So it’s also a celebration. In the tragic history of those buildings, this is one glorious and human moment that happened. I think that’s something that’s important to remember too.”
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